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Do you even know why you're supposed to kill me? Look at us. Look at what they make you give.

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No 234 - The Bourne Ultimatum Director - Paul Greengrass Yes... we've reached Bourne Three, thus allowing me to start the blog on an EXCELLENT musical pun. Thank you. Much in the same way that Bond always begins straight in the middle of the action, with a mission that's not been followed from the start, so to does this Bourne adventure begin straight in the middle of a pursuit. You have to feel sorry for Bourne . All he wants is to live a quiet life and slowly piece his identity together and he's always being chased. It doesn't even matter how many shady government agencies he topples - he remains on the most wanted list of almost every police force in the world. So here he is - broken, battered and bruised - on the run from the police. Same old, same old. Somehow he escapes and he makes it to lovely old London. So, what is it causing the shit to hit the fan this time? Its none other than Paddy Considine . This time we get our third mysterious government program - ...

The moment you got into her car. The moment you entered her life, she was dead.

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No 454 - The Bourne Supremacy Director - Paul Greengrass Things ended on a happy ending for Bourne .... but this is a trilogy of paranoid action thrillers, and so despite the BIG BAD being resolved at the end of Identity, it is time for a new government agency to be out hunting Bourne . This time, Bourne is tackling a far bigger problem. Not only is he still trying to piece together his memories and sense of self (though warped and blurry flashbacks show he's beginning to remember) - but he's also been framed for a fair amount of murder. So we're back on familiar ground. As Bourne runs away confused, chased by an agency who think Bourne is after them. When really all he wants is a quiet life. The first thing that's clear from this sequel is that there is a new director on board. Gone are the slower more paranoid shots and in are quick edits, jittery cameras and a state of CONSTANT FUCKING TENSION This new visual style makes for a far more frantic film and is the st...