In the world of prog, Pendragon have always been one of those love 'em or hate 'em bands. Some dislike that it seems they sometimes show influence from other bands (Pink Floyd, late 70’s Genesis, and neo prog contemporaries Marillion for example) a bit too closely. Some have a dislike for Nick Barrett’s heavily accented voice. Others love the layers of symphonic keyboards by Clive Nolan and emotional guitar playing of Barrett. Some like the catchy well-crafted songwriting. One observation I have made in listening to the music of Pendragon, is that while a lot is borrowed, there isn’t a phony note anywhere. They are very sincere in everything they do… The Masquerade Overture is considered by many Pendragon fans, to be their best work to date, and I am inclined to agree (although their most recent album Not Of This World is just as strong in my opinion.) The album begins with “The Masquerade Overture” opening the album on a symphonic note, with keyboard orchestration, piano, an...